The Swan Thieves by Elizabeth Kostova: I liked the paper and cover.

This book was recommended by a dear friend. She was really enthusiastic.

I was enthusiastic about my new ebook reader, the Nook Simple. I have known for some time that I would jump the fence to ebook-land. They are convenient, flexible in use, an intelligent technology, and an interesting economy for authors. 

Of course, there is a seemingly counter love of books made from paper. I biked past Powells the other day and felt a little bad plotting the purchase of a Barnes & Noble electronic device. I have resolved to tax myself: For every ebook I buy I will buy a paper book from an independant book store. I try not to be sentimental, but I still have some John Henry tendencies.

The ebook experience has been pretty good. Flexible, portable, great battery life.  I chose  the Nook over the Kindle for one main reason: The Nook does not do anything except books. Without hacking, it won’t browse the Internet or read email.  I spend so much time in front of screens wallowing in multi-tasking. When I am reading, I do not want to be tempted to check my Facebook feed.

The Swan Thieves was the first book that I ebooked. I just never sympathized with the characters or trusted the author. Sorry, Julie. I soldiered through and finished it, but have little good to say about Kostova.  I found the "across time" effect weak. I was unsurprised by any of the twists.

The character of Marlow failed to be interesting, even when falling in love or obessisively tramping around the globe.  This book was not for me.

The Nook allows you to take notes in the book as you read. The user interface is not that great, but I like the feature.  Some of my notes are not too polite:

What an annoying double negative. Either overlooked or too preciously clever.

Hate this phrase. Adverbium unnecessarium.

The inconsistent subheadings–now date instead of POV character–offend this commercial writer. The first word of the chapter, "Yves," tells me the era.

I am happily reading a paper book now, but look forward to another ebook soon. I think Franzen’s latest.

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Woke With a Song: Mean by Taylor Swift

Someday I’ll be big enough that you can’t hit me. But all you’ll ever be is mean.

http://www.taylorswift.com/videos

Awful song.  The result of too much driving and listening to the country station.

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Duality: Trying to Write “The Two Breaths of God.”

I have been trying to write a poem about The Two Breaths of God. It is not working out just yet. It seems that something is to be learned here and I wanted to write it out.

At this point, I have a rough draft that I don’t understand, I have this outline that is a series of labeled boxes with arrows:

I have scrawled some bits diagonally, sometimes in the dark.

"Warm breath on the neck, he < illegible > his chin but does not turn around."

"Fur from the killing of a noble beast."

"The cold breath that comes across places too beautiful to build atop."

My heart is just not in it. I am not feeling enthusiasm for it. Writing feels like a chore. That might partially be the natural outgrowth of writing so much at work lately. Something about the subject was slippery.

To day I got to thinking that it is perhaps a pretty concept but entirely wrong. I don’t know that I can support it.

The idea came from some freewriting. The Two Breaths are:

Hot: Building, Warming, Civilizing, Painting
Cold: Destroying, Chilling, Wilding, Writing.

Get it? A duality? Aren’t I clever.

"And start climbing, start feeling cooling gusts through the window."

"New Mexico in the morning. She made coffee. Worked into a place or gliding over it."

"When it is cold breath it paints cracks upon walls it paints ivy into those cracks. It paints fine wrinkls on the faces and paints the definition of each skull throught the skin."

…a duality that god. Excuse me, I meant God–has two modes. It is a system of categorizing and understanding.

They are interesting. Painter to painting. Writer to writing. The building up and the breaking down. Duality is easy, but what good is an opposition at all? Today, while walking my gimpy dog in a brief glint of sunlight, I thought taht God would not use dualities. He (ahem. Just leave that alone, please) would not need to.

I put it to you that a duality is a model. If you hear a duality it is not a statement of truth but a method of understanding. Regardless if the stater makes an abosolute statement, it is not an absolute and it is a filter. I think most dualities can be overthrown. A light bulb is either on and off. Until you install a reostat.

So do I continue the poem? I am hoping that I can find a way for it to be fun and to feel important. Right now I don’t. But I want to write and this is the project before me. I still scrawl about it…I am right now. Maybe I will turn something out from it. Maybe it will have some truth in it.

Perhaps I will end the poem by controverting it. The breaths break down. The poet throws up his hands. God smiles.

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Woke With A Song: Jackson

 

Mostly, as I made tea, I thought about exactly how hot a pepper sprout is. I do not know. It does not Google well and there is no wikipedia article.

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Woke With a Song: Skinny Love

And I told you to be patient, and I told you to be fine.
And I told you to be balanced, and I told you to be kind.

I was listening to this album as I was running late last night through downtown. I was tired and just shuffling along and kept asking myself if I could keep going and if I wanted to. I mean really, I was a wreck. Running to the barbecue was cool. Running back from the barbecue, carrying whiskey and someone else’s ribs in my guy was a trial.

Come on skinny love.

I came home (walked the last mile, my legs kind of broken and physically just out of day) and iced my shins and fell asleep.

So I woke with this and dried sweat. It is a good life.

An in the morning I’ll be with you, but it will be a different "kind"

http://youtu.be/D4qUTzI7Tzs

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A Reader’s Record: Atonement by Ian McEwan

Brilliantly done, Ian. Enjoyable and excruciating, but not punk at all.

I hate how getting busy kills the ability to get through a book in reasonable time. It took me forever to finish Atonement. However, the characters and the plot stay with me. Mr. McEwan left it a readable document that does not get buried in details. And yet his research is impressive. There is a weight to everything historic, there is an accuracy down to the very texture of British soldier’s greatcoat. Well done, Ian.

The facts of the tragedy are perfectly, believably put. The tempo that builds to it is excruciatingly accurate. If the denoument is a but overwrought, I as a reader stayed engaged and appreciated the taught way that the string stretched through the pages. When any of us plucked it I heard the "thrung" of truth.  12 year old girls are dangerous to themselves and others.

In the picture above, Torito seems to have a low opinon, but he is illiterate. Novels make him grumpy. He can fake his way through poems. So now we are reading Leaves of Grass to make him feel better.

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Woke With A Song: Land of A Thousand Words

This was pretty spontaneous. I have not been listening to The Scissor Sisters much lately

A wonderful woman introduced me to them and when our relationship turned terrifically sour, listening to Scissor Sisters resulted in some creeping teeth grinding memories.

Kind of odd, since SS is such a delightful, over the top party band.  Anyway, recently I have come to a great peace about that relationship and I think as a result the beauty, bedazzled cumber bun and all, of Scissor Sisters, is once more unlocked for me.

Getting over your own past unlocks the ability to listen.

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Draft A Day Debrief

National Poetry Month has passed, and so has my Draft a day experiment.

When I started out I asked three questions:

  • Will I enjoy and embrace the process?
  • Will I make anything worthwhile?
  • What will the body of crappy drafts look like on a blog?

Answers

  • Will I enjoy and embrace the process?

Yes. Yes I did. I love assignments. And this project got me to write most every day. Even when not inspired, I came up with something.

  • Will I make anything worthwhile?

Yes and no. I could not get anything to a real depth, but I was able to be playful — I really enjoyed working on them. The "innovations" such as the grid poem is fun. I have started on another one of those. They are fun and I am still putting them together.

Other pieces may get more life. Others will just settle into the dirt and turn to compost.

  • What will the body of crappy drafts look like on a blog?

You tell me.  I don’t generally share poems in this way, definitely ones that are still soft in the middle. I am curious what the month of jabber looks like from the outside.

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Draft a Day: April 27

The passenger seat voice that relates to yesterday’s post.

You are not relief, you are
the impossible, unjust doldrum
which just unthreaded my omnibus dreams,

Welcomes me back from these painless travels
through every spot of my life at one time.

[Waking into sunlight] I think this is unnecessary
too early not ready
The hum of the world, summoned to this car

A baseline, the breath
I stretch up and turn –

You are dusty in the driver’s seat
with all this light

You blink, I remember –
The future comes through the vents.

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Draft a Day: April 26

Nearing the end of the month. Publishing these drafts is a good practice and a motivator. It is not too much of a trial for my blustery ego to show the ugliness of drafts; I like to make the point that most good work does not come fully sprung out of the earth, but benefits from molding and worring into shape.

From yesterday’s draft. I like these two characters and the heavy fiction. There should be more fictionalizing in poems these days, I say. Your real life may not be as illuminating as you think. Perhaps you could be more honest within a falsehood.

The sun will strike you as we round this corner and drive you awake.

Until then, your head is just jostled helplessly.
You gave me forty minutes free
You sleeping, a single image without
all those implications

when you move.

You sleeping still has the continuity of heartbeat
and I think you are still
here with me thinking

Like I do
that this hum around us is
the unending breath of
the world, summoned to us by this car.

Less than an hour to Spokane
and Couer d’Alene is not far beyond

Coming round this corner though
the lowering sun will strike you
and I figure you will wake.

You will talk to me and the future
will seep through the vents,
like The Palouse air came in and spun us up into

Two dust devils believing that
it was not possible to believe in a place like that

just like that.

Just like you before you thought to mistrust anything,
when we could be each other’s playthings.

For the last forty minutes
the hum has just been washing artifacts of anxiety.

The loaded gun under the driver’s seat.

The constant gusts through the lips.

 

 

 

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